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This personalisation (or, through want of a better word, 'selfi- cation' of consciousness) is formed and reformed and becomes apparent where the relative moments or frames of the self come into view, so that there appears at least temporarily to be a self looking at many different aspects of the self.
A mental image of thought could be invoked to help realise this: the self looking at many different aspects of the self may be seen as the self-reflection in a mosaic made of small square mirrors that are fixed onto the sculptural form of a human figure (so in effect, a three dimensional mirror of a human form which reflects literally and symbolically the viewer).
Imagine that the sculpture holds up its hand to its face in the gesture of looking at a mirror, this gesture not only mimics the viewer looking at her self looking at the sculpture but it also brings to mind the idea that some of these tesserae reflect each other and the idea that the sculpture is looking at itself, as the viewer does.
When this frame is repeated many times within the pictorial space then we begin to think the complex thought of how the self is a series of relative reflections, discrete moments that only seem to join together when we take a step back for a general view of the self looking at its many selves.
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